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As the video closes, Sleazy lies, apparently dead, at his original, roadside spot. But Eazy's posse, including Dresta and Knocc Out, chase him through town, and finally pull him into van. As Eazy-E's music video opens, still jittering, Sleazy stands roadside, holding up the sign WILL RAP FOR FOOD. J." Johnson parodies Eazy-E as "Sleazy-E." In the "Real Muthaphuckkin G's" video, A. Dre's music video for "Fuck wit Dre Day," actor and comedian Anthony "A. On the other hand, nearly closing the video, in Eazy's hand, artificially blurred out, is perhaps a pistol while he alleges that if disobedient, Dre would get popped by Suge Knight's Smith & Wesson. Related cover photos appear several times during the video. Dre is the G thang / But on his old album covers, he was a she-thang," shown is a photo of Dre on a World Class Wreckin' Cru album cover, predating N.W.A, wearing a white, sequined jumpsuit and detectable makeup. Once Eazy-E, on camera, raps, "All of a sudden, Dr. There are numerous cameo appearances: Kokane, Rhythm D, Cold 187um, Dirty Red, Krazy Dee, Steffon, H.W.A., DJ Slip from Compton's Most Wanted, Young Hoggs, Blood of Abraham, K9 Compton, and Tony-A. It opens with aerial shots of Compton streets and scenes of lowriders, gangsters, and the metro Blue Line. The music video, written and directed by Eazy-E's longtime Ruthless video director Marty Thomas, was shot in Compton, California. Finally, claiming rumors that Death Row is Dre's "boot camp," Eazy calls its CEO, Suge Knight, widely known for strongarm tactics in the music business, Dr. Further, Eazy refers to the single "Fuck wit Dre Day" as "Eazy's pay day." Dre's contract with Eazy's label, Ruthless Records, left Eazy profiting from Dre's earnings through Death Row.
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In the process, Eazy briefly disses Snoop as an "anorexic rapper" who weighs "60 pounds" when "wet and wearing boots."īack to Dre, Eazy disparages the sentiment that beating a woman makes one a man, as Dre's assault of TV personality Dee Barnes was highly publicized. The three "Real Muthaphukkin G's" rappers, claiming gangster authenticity, mock Dre and Snoop as "studio gangstas." Also disputing Dre's masculinity, Eazy alludes to Dre's androgynous styling, by attire and makeup, in the 1980s DJ crew World Class Wreckin' Cru, which, in line with Los Angeles county's hip hop scene until N.W.A, was also an electro rap group, occasionally donning glitzy styling. And so Eazy's leading answer to Dre became "Real Muthaphuckkin G's." Content Yet the next day, Dresta brought to the studio his brother Knocc Out, who, improvising it on the spot, added a verse. Dresta, thereby forming the song concept, wrote all the lyrics for an Eazy and Dresta duet. Visiting the brothers' house, Eazy's associate found Dresta and took him to the studio, where Eazy told him tales of Dre. Recently released from several years of youth incarceration, Dresta had forged his rap skill through activities inside, whereby his reputation preceded him onto the streets. Its lead single originally slated was "It's On." But an Eazy associate got word of two halfbrothers, both Nutty Blocc Compton Crips, who rapped. To seize the moment, Eazy planned an EP, shorter than an album.
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On the album, Dre and guest rapper Snoop Doggy Dogg, a star on the rise at the time, diss Eazy-E in skits, in the single " Fuck wit Dre Day" plus its music video, and, closing the album, in the hidden track " Bitches Ain't Shit." It released Dre's The Chronic, which in 1993 broke gangsta rap onto pop radio. Dre left N.W.A and, with Suge Knight, launched Death Row Records.